BLOGGER TEMPLATES AND TWITTER BACKGROUNDS
Showing posts with label Blues. Show all posts
Showing posts with label Blues. Show all posts

Tuesday, April 2, 2013

Justin Vernon Isn't Trying to Make Me Cry, For Once: The Shouting Matches



Bon Iver won't be performing at Coachella, but Justin Vernon will be. This time, the indie frontman and noted passive aggressive Grammy speech-giver  will be backed by a very different group. 

Completely bypassing any timid navel-gazing, bandmates Brian Moen (Peter Wolf Crier), and Phillip Cook (Megafaun) bash out bluesy, old-school rock, as Vernon gives the autotune a rest to howl in his best Otis Redding. The result is The Shouting Matches, a group that's been around and recording since 2008, but hasn't really put much out there, til now.

And how do they do? Well, Mother When's the Judgement Gonna Come has a raucus, I'm-totally-gonna-get-a-staph-infection-in-this-dive-bar feel to it, while the live I Had a Real Good Lover makes me want to lie on the floor, belting out lyrics in a whisky stupor. 

So it sounds awesome. 

Mouthoil, their first EP is due out sometime this year. Probably.




Saturday, January 22, 2011

Thursday, December 16, 2010

If You Like: The Black Keys, The White Stripes, Iggy and the Stooges





If You Like:

-The Black Keys
-Blues-rock
-Garage rock
-Iggy and the Stooges
-Dr Dog
-The White Stripes
-Generally being badass


Try:

I know you're thinking "if I hear about ONE more Palestinian-Filipino one-man band, I'm leaving this blog for good." But hear me out. Because this is some balls-out thrash-garage-rock that will restore your faith in the survival of real guitar music.

LA-based Hanni El Khatib's sound pays homage to the mid-century Americana aesthetic that paved the way for rock and roll, from soulful, dark blues to Shangri-La's-ish doo-wap. This is the musical equivalent to a knife-fight at the malt shop.

Comparisons to the Black Keys and the White Stripes are numerous and inevitable. Khatib also just finished a tour opening for Florence and the Machine. And California-based music writers consistently place him on their "ones to watch" lists. So you could say that the multi-instrumentalist is receiving all the right exposure to become the next big thing in rock. But I like to think that the inherent fucking coolness of someone who makes music "written for anybody who's ever been shot or hit by a train" will do the trick on its own.

(Music available from Stones Throw.)




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