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Showing posts with label Hanni El Khatib. Show all posts
Showing posts with label Hanni El Khatib. Show all posts

Saturday, January 29, 2011

Hanni El Khatib, Hitchhiking, and Hernias: Weekend's Here

This is the weekend I move everything I own across the third largest city on the planet by hauling it down to the street, flagging down random passing cars, and arguing with the drivers until they agree take me across town and help with my luggage for 400 rubles or less. Then I take the metro back across town and repeat  steps 1-3 until the old flat is empty. So it seems about right that the elevator is broken and I live on the 10th floor. Jive.


With all that's going on, I'm not sure about internet access these next few days. I've set some posts to a timer, but I set my alarm clock wrong at least twice a week so we'll just see how that plays out. Either way, I'll be back soon. In the meantime, here's Loved One, the new video from Hanni El Khatib who, as you alreadiy know, kicks ass.


Have a better weekend than me, all. Stay cool, hep cats.


Thursday, December 16, 2010

If You Like: The Black Keys, The White Stripes, Iggy and the Stooges





If You Like:

-The Black Keys
-Blues-rock
-Garage rock
-Iggy and the Stooges
-Dr Dog
-The White Stripes
-Generally being badass


Try:

I know you're thinking "if I hear about ONE more Palestinian-Filipino one-man band, I'm leaving this blog for good." But hear me out. Because this is some balls-out thrash-garage-rock that will restore your faith in the survival of real guitar music.

LA-based Hanni El Khatib's sound pays homage to the mid-century Americana aesthetic that paved the way for rock and roll, from soulful, dark blues to Shangri-La's-ish doo-wap. This is the musical equivalent to a knife-fight at the malt shop.

Comparisons to the Black Keys and the White Stripes are numerous and inevitable. Khatib also just finished a tour opening for Florence and the Machine. And California-based music writers consistently place him on their "ones to watch" lists. So you could say that the multi-instrumentalist is receiving all the right exposure to become the next big thing in rock. But I like to think that the inherent fucking coolness of someone who makes music "written for anybody who's ever been shot or hit by a train" will do the trick on its own.

(Music available from Stones Throw.)




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