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Showing posts with label free music. Show all posts
Showing posts with label free music. Show all posts

Wednesday, April 3, 2013

Today's Swell Tune: Your Life, Your Call





  • Band: Junip
  • Album: Junip (Release date: 23.4.2013)
  • From: Gothenburg, Sweden
  • Sound: A gentle coax out of bed...it sucks that she doesn't love you anymore, but dude, you still need to put on pants. It'll be ok.; post-rock, percussive synth. 
  • Website: junip.net
  • Social: facebooktwitter, YouTube
  • Download Free: soundcloud

Tuesday, April 2, 2013

Today's Swell Tune: Dancing with the Tornado





  • Band: The Veils
  • Album: Time Stays, We Go 
  • From: London, England
  • Sound: A precision firestorm tearing through a spaghetti western; indie rock. 
  • Website: theveils.com
  • Social: facebook, twitter
  • Free Downlad: here


Thursday, November 10, 2011

Today's Swell Tune: Fire!





  • Band: Baby Baby
  • Album: Money
  • From: Atlanta, Georgia, United States
  • Sound: Like they put on a Hell of a live show. And like Violent Femmes might have a case against that opening riff... ; They brand themselves "Fun Rock," and I'm gonna ahead and brand an "indie" into that ass, too.
  • Social: facebook twitter
  • Download free:  here

Wednesday, June 29, 2011

Today's Swell Tune: Up Past the Nursery





Tuesday, March 15, 2011

Today's Swell Tune: Cement Slippers





  • Band: Dengue Fever
  • Album: Cannibal Courtship (out March 29)
  • From: Los Angeles, California
  • Sound: Figured I had to come back with something really cool to make up for my disappearance. This should do it; psychedelic pop rock
  • Website: denguefevermusic.com
  • Social: facebook, myspace
  • Download Free: ↓↓↓



Saturday, February 26, 2011

Wednesday, February 23, 2011

Today's Swell Tune: Dust It Off




  • Band: The Dø
  • Album: Dust It Off (EP); Both Ways Open Jaws (out March 7)
  • From: Helsinki, Finland; Paris, France
  • Sound: Goosebumpy; indie pop
  • Websitehttp://thedo.info/
  • Social: facebook; myspace
  • Download Free: here

Tuesday, February 15, 2011

Today's Swell Tune: The Magic







Sunday, February 6, 2011

Today's Swell Tune: Pineapple Girl





Wednesday, January 26, 2011

Today's Swell Tune: eventu-a-lee



  • Artist: My Hawaii
  • From: Los Angeles, United States
  • Sound: The artist describes the song concept as  "What if Chuck Berry went to jail in New Orleans and started a prog rock band?". It's like he works here.; Indie pop
  • Website: http://www.myspace.com/yoheishikano
  • Download Free: from bandcamp

Tuesday, January 25, 2011

Today's Swell Tune: Baby Drugs



  • Artist: Tristen
  • Album Eager for Your Love (EP); Charlatans st the Gate (LP) out Feb 1
  • From: Lansing, Illinois via Nashville, Tennesee; United States
  • Sound: Makes you want to go out, become an addict, and fall in love. Adorable.; "neo-traditionalist" pop
  • Website: http://www.tristen.com/
  • Download Free: ↓↓↓



Thursday, January 20, 2011

If I Used the Phrase "Band to Watch" I Would Use it Here: Wildlife


Referrals and listening, listening and referrals. If you don't like it, don't start a music blog. Because people will send you songs and you will have to listen to them. A lot.  


Honestly, most don't make it past ten seconds. Of those that do, most will still get turned off after about a minute. They're not usually bad. It's just that an overwhelming majority of them suffer from what I think of as a lack of balls. When a musician is afraid to commit, you can hear it in the music. I mean, if you're going to do it, for the love of god do it.  


Wildlife doesn't have that problem. Their Toronto-based indie rock is energetic, to-the-point, and not afraid of going in 100 percent. With a hint of punk edge, they drive though every song like they love what they're doing and they really, really mean it. They don't even seem to have the occasional "meh" number-- all the tracks make it past 10 second mark with ease. 


If I had to give you a "sounds like" I'd say maybe a less-groomed Arcade Fire, Wolf Parade, or Hot Hot Heat. But believe me, in a few years, people might just be saying "sounds like Wildlife." These guys definitely have it in 'em.




You can get their debut album Strike Hard Young Diamond on bandcamp, where they've also been cool enough to give you three free tracks. Stalking can be done on myspace, facebook, or twitter.


Monday, January 17, 2011

Musicians are People Too: Interview with The Conduits (Exclusive)


As an expat, I spend half my social life trying to maintain contact with people up to nine time zones away. It can be tricky.


Sometimes it's fantastic; at a sober noon on a Sunday the facebook statuses of friends back home begin changing to dramatic drunken ramblings about how life, love, and humanity in general hate them because they're going home alone. On the flipside it can suck; one apparently math-challenged buddy texts me almost exclusively at 3am my time, and gets promptly pissed when I don't respond.  So I'm acutely aware of the difficulties of long-distance communication; anything more complicated than birthday wishes or sexts is rarely worth the time.


That makes The Conduits' work all the more impressive. In love with their track Up and Down, I was amazed to learn that Toronto-based Chris Postill and San Francisco-based Heather Mauch have never even met in person. They found each other on a musicians' website and decided to corroborate on one song. That song turned into The Conduits. 


Heather, Chris, and I shared a Moscow-to-Toronto, Toronto-to-San Francisco, San Francisco-back-to-Moscow interview to discuss it all. So what follows is really two interviews between three people who have never met each other.


Mr. Shuffleupagus
You have to admit that your system is unique. How do you do it? What is the system exactly?
Chris Postill: I’ll give you that it is slightly unconventional but certainly not all that novel an idea. I think a lot more people are doing this than it seems. The truth of the matter is that we don’t have a system at all, one of us comes up with something and sends it to the other, who adds something. We really haven’t discussed what our sound should be or any of that stuff; up to this point we have just dug what the other adds. I have no idea what sort of music Heather listens to.
Heather Mauch: Usually how it works is he sends me the instrumentals with light vocals in parts, and I fill in all the blanks. He is really quite talented! In any case, we pretty much just try to take it as it comes now.

Do you find the system works with or against the "creative process"? 
Chris: I think it’s great. When I sit down to work on a new Conduits idea I have this foggy idea of what we've made in the past and what I think Heather would like to build on; but seeing as I don’t know much about her at all, the Heather I’m trying to write for is just this ghost I’m guessing at and I think that’s where the fun comes from. The Conduits its sort of us both working with someone else who is a big bag of mysterious who-knows-what.
Heather: Haha, I agree. We both don’t know each other and are far apart, which as its plusses and minuses. In a sense, yes, we are both working off of our false perceptions of one another, but I also like to think that in some ways the music speaks true to who we are. If we weren’t somewhat similar, then we probably wouldn’t have been able to make good music, right? I think if we met we’d probably get along pretty well.

Did you think that the arrangement would last this long? Why do you think it has?
Chris: Nope! It was supposed to be one song. I think it has lasted purely because people seemed to dig what we made, which motivated us to want to make more. It’s good fun, people seem to like it, it seems worthwhile. I also have a crush on the way Heather sings…..
Heather: I am blushing! The good thing about this project is that we had no expectations for it – just two people who wanted to make music…and kept on doing so! So, flexibility has been key.

Finding yourself working so far apart, what do you think keeps you in sync?
Chris: Ahaha often times nothing. That’s probably the biggest obstacle. We both have lots going on and The Conduits often falls to the background. Every once in a while we catch each other on Gmail chat and say ‘We’ve got to make a new song’. It’s tough to both get on the same page at the same time.
Heather: Yeaaahhhh…I often times am apologizing for Chris for being so busy with school/work. Also, I let a friend borrow my mic and it got lost. Yikes! So I am working on getting a replacement ASAP!

The Impossible Question: How would you describe your sound?
Chris: Tinkery experimental pop. I am obsessed with found sounds, I go out at 3am when the city is quiet (and when I can get myself out of bed that early) and bang on stuff with my portable recording unit and then try and work those sounds into songs. I really want The Conduits to feel like we meet in some little nook tucked away in some corner of the internet and make music out of all the objects, toys, etc. that we find there. It’s a pretty romanticized image…
Heather: Romanticizing is okay as long as you are aware it is happening, I say. I’d describe our sound as innocent but not naively so; vivid, and awake. There is a certain quality to our songs that is very playful – but there are also darker undertones in the lyrics and whatnot. I think that is what makes them likeable – listeners can relate to either or both dimensions of the songs.

Cliched question that everyone wants the answer to anyway: where do you usually find inspiration? 
Chris: Always in the morning… I think I have mild OCD. I wake up and have too much coffee and then get excited about something. Then I’m stuck on it for days. I neglect my actual work (actual meaning, the stuff that pays my rent) because I get obsessed. Just trying stupid things and then trying to work those stupid things into sorta cool things. Simple answer, getting up early and copious amounts of caffeine.
Heather: I actually don’t like to force things. At all. If I do, then the song sounds rather silly and fully of clichés. I write whenever I feel the compulsion to, which isn’t every day at all – but here and there I think of little tid-bits while I am walking to school or to the coffee shop, and I jot them down on paper or write texts to myself on my phone. That way I know I can go back and gather up all the small pieces and make them into a bigger, more complete concept.

Who are you listening to right now? 
Chris: Older Mum (Icelandic band) stuff, trying to steal ideas for a new EP… Lately whenever lyric-heavy stuff like Leonard Cohen or Bill Calahan comes on at random, I’ll let the whole album play through. My old roommate and I have a weird soft-spot for Antony & The Johnsons that we’ve been reliving recently.
Heather: Been listening to Andrew Bird, Weezer, and Nick Cave and the Bad Seeds. Also, I have been meaning to listen to more of The National – love his smooth, deep, rich voice.

Whose style/ trajectory do you admire? 
Chris: I like people who are subtle.
Heather: I enjoy subtlety as well, and tend to stray away from the radio. However, I don’t want to completely forget about the pop/mainstream of music, so every now and then I’ll tune in just to keep up to date. As for role models…or picking favorites even…I’m no good at that... I am always going back and forth with artists – for a while I was into Owen, Damien Rice, Iron and Wine, Against Me!, the Promise Ring, and others, and I would listen to them every day over and over. Now they are sort of background artists that I’ll revert back to as a sort of comfort food. I like to try to listen to new things every day, though. My boyfriend introduced me to some artists from the S.F. Bay Area from a label called Anticon Records...Check them out! www.anticon.com

What do you think the most exciting current trend in music is? And the worst? What trends do you predict?
Chris: I really can’t comment. I’m sort of tired of hearing about Kanye being a genious?! There’s so much music being released that its become really easy to ignore the lemons. I think how your music is produced is becoming more and more something artists are playing with, and that’s sort of interesting.
Heather: The most exciting trend…hmm. I guess it would be the fact that the underdogs are starting to get more play. Take us, for example, a small band who uses the internet as our medium, and we’re getting blogged about all over the place. It’s weird, but also neat. The internet opens up a whole new door though…sometimes good, sometimes bad. But on the whole, it’s working for us, so that’s okay!

What advice do you have for other DIY artists?
Chris: We haven’t really been successful enough to offer any advice. Try to be experimental but not for its own sake?! 
Heather: haha, yeah I agree. Be humble. If you get too ahead of yourself…well, it might fall apart.

What are you planning for the future? Meeting, I presume? Then what?
Chris: We’ve actually never discussed the idea of meeting. I’m a bit afraid to. We might not get along?! I fear it wouldn’t be as fun to hear what Heather has come up with if I knew about her life and personality. Again that’s the romance of this whole project, right? I think we find this way of collaborating just as interesting as everyone else, so we might be a bit hesitant to change that....There will definitely be at least a new EP in the next little while. We've had a few quick chats about concept-ish albums.
Heather: I think we’d get along! I’d like to just keep going in the direction we are going. Experimenting! Taking it one song at a time.


And the Lightning Round:

Quick and honest--what's the last song you listened to?
Chris: “Girlfriend Is Better” – The Talking Heads
Heather: “The Lyre of Orpheus” – Nick Cave and the Bad Seeds

What is the first album you ever owned? And the last album you got?
Chris: I have no idea. I hardly know what I did yesterday… I remember a cassette tape when I was young with Crimson & Clover on it… I liked that crazy flangey tremolo guitar.
Heather:  Ummm…pretty sure it was Chumbawamba’s Tubthumper as my first album. Last album? Patti Smith’s Easter.

Musical era you'd most like to time travel to?
Chris: If I wasn’t also required to murder Germans in cold blood, I wouldn’t mind tearing up the dance floor to the Glenn Miller Orchestra with a hot tamale in the 40’s.
Heather: Hmm… I’m not really sure. The 60’s-70’s had some awesome music. I mean…disco! Also I love Cat Stevens and the singer/songwriter era.

Who is your favourite artist of all time?
Chris: I listen to a lot of music, much of which is bad.  Very tough. Tom Waits is my dad (of course he is pretty much everyone’s dad, isn’t he?). Howlin Wolf is my uncle... Thom Yorke is my asshole little brother…
Heather: Yeah, Tom Waits! Amazing. Like I said before, though, I am not good at picking favorites. I plead the fifth!

Do you have a musical pet peeve? Something when you hear it, you turn off the music immediately?
Chris: I hate generic lyrics; large abstract ideas... I’d rather listen to a song about your desk than your true love. I like music that has a lot of character about it, concrete real life stuff made poetic with music.
Heather: Generic lyrics definitely upset me, too. Stereotypical or egotistic vibes also frustrate me.

MP3s: Death of the music industry or music industry wild west?
Chris: I doubt we’d be releasing music at all if it weren’t for MP3’s so I guess its pretty obvious where our loyalties lie on that point.
Heather: I am very undecided about this…like I said before, and like Chris said, mp3s are how we get by. But I can see why those who came from before mp3s up to now would be pissed off...Every now and then I get the urge to load a real-life cd into my car stereo. 

Would you like to say hi to your parent/partner/secret crush?
Chris: My mum birthed me.
Heather: Matt! (My boyfriend) Hello.


***


My thanks to Chris and Heather for adding one more person to the musical daisy chain and taking on this interview. But not for reminding me about the existence of Chumbawumba. That song will never leave my head now.




To contact The Conduits:


website
facebook
bandcamp


And since today is Monday and we like covers here on Mondays, this is The Conduits doing Journey (available on the bandcamp)



Sunday, January 16, 2011

Today's Swell Tune: Open Season




  • Band: High Highs
  • From: Sydney, Australia
  • Sound: Wes Anderson surely has it on his "use in a soundtrack" list; pop-folk
  • Website: http://highhighs.com/
  • Download Free: from bandcamp

Saturday, January 15, 2011

Today's Swell Tune: Wild Thing


Get Adobe Flash player
  • Band: Noah and theWhale
  • Album: Last Night on Earth (to be released March 7, 2011)
  • From: Twickenham, London, England
  • Sound: If Lou Reed's Walk on the Wild Side were a photo, this would be the negative: indie folk
  • Download Free: From their website

Tuesday, December 28, 2010

Today's Swell Tune: Car




  • Artist: Jim Noir
  • Album: zooper dooper (EP) 
  • From: Manchester, England, United Kingdom
  • Sound: Like Flight of The Conchords penned lyrics for Strawberry Alarm Clock; psych-pop
  • Website: http://www.jimnoir.com/
  • Download Free:  ↓↓↓


Sunday, December 26, 2010

Today's Swell Tune: Heartbreaker


  • Artist: Girls
  • Album: Broken Dreams Club (EP)
  • From: San Francisco, California, United States
  • Sound: Everyone with a guitar will know it within the year; indie rock
  • Website: http://www.myspace.com/girls
  • Download Free:   ↓↓↓

Thursday, December 23, 2010

Today's Swell Tune: Jailbait



  • Artist: Headless Horseman
  • Album: Late Night Allentown Radio (Sampler)
  • From: Allentown, Pennsylvania, United States
  • Sound: Honestly, I have no idea what's going on here but it's fucking compelling; glitch-pop
  • Website: http://www.myspace.com/headlesshorsemanjams
  • Download Free: From bandcamp

Wednesday, December 22, 2010

Today's Swell Tune: Tick Tock


  • Band: The Fantasies
  • Album: Meet the Fantasies (single)
  • From: Northampton, Massachusetts, United States
  • Sound: A post-apocalyptic B-52s; psych-pop
  • Download free: On their bandcamp page 

Tuesday, December 21, 2010

First my Mobile Phone, Now my iPod: The Finns Won't Rest Until They Control All the Electronics


Last Sunday, my "Swell Tune" of the day was French Films' Golden Sea.  It's boss, and to my knowledge the first anything from Finland I have ever featured.


Then yesterday, I was contacted by Big Wave Riders, another Finnish band.  I wasn't sure if it was coincidence or run of the mill networking, but I couldn't ignore it--I was suddenly very interested in "that land the phones come from."


Well there must be something in the water in Finland. Something post-punk and awesome. Because, like their fellow countrymen, Big Wave Riders have a dark infectious sound that will test the stamina of your back button.  If I pegged French Films as "Joy Division-via-John Hughes", then Big Wave Riders might be "Duran Duran-via-David Fincher".  But even with different genes, it's clear they're still from the same neighbourhood. It's post-punk/new wave aesthetic, but with much less distortion than similar projects out of the west.


So what I need to know is if this is typical for Finland right now--anyone on the inside who can explain the scene, please contact me. St Petersburg-Helsinki is a short train ride and I think I've found somewhere to go for spring holidays.


(You can download both these tracks for free from their Soundcloud page.)



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